0

Out of 0 Ratings

Owner's of the Azden Microphone Azden Microphone User gave it a score of 0 out of 5. Here's how the scores stacked up:
  • Reliability

    0 out of 5
  • Durability

    0 out of 5
  • Maintenance

    0 out of 5
  • Performance

    0 out of 5
  • Ease of Use

    0 out of 5
of 4
 
(8) Phone Output Adjustment
Using the supplied tool, turn the screw clockwise to increase and counterclock-
wise to decrease the audio level presented at the earphone monitor jack.
(9) Shoe-mount
Attach the 105UPR to the shoe-mount on the video camera by sliding it into
place. Turn the thumb-wheel clockwise to tighten and counterclockwise to
remove.
(10) Antenna
For best reception the antenna should be pointed in an upward fashion. Use
caution and do not force it in this position.
BODY-PACK TRANSMITTER (15BT/EX-503L)
(11) Remove the battery compartment lid by sliding it down.
(12) Insert two fresh Alkaline “AA” batteries into the compartment. Make sure the battery
polarity is correct as marked inside the battery compartment.
Inside the battery compartment you will also nd #13 and #16
(13) MIC LEVEL Control
The MIC LEVEL control enables you to adjust the audio level of the micro
phone. Using the supplied tool, turn the dial clockwise to increase, or
counterclockwise to decrease the microphone’s audio output level.
(16) Frequency Selection
Frequency adjustment is accomplished by setting the two controls inside
the battery compartment. With the frequency GROUP dial on the left (col-
umn A on the included chart) you can select any of the 10 frequency groups
(numbered 0-9). With the frequency CHANNEL dial on the right (column B on
the included chart) you can select any of 10 frequency channels (numbered
0-9). There are actually 92 possible selections.
(14) POWER
This switches the transmitter “ON or “OFF”
(15) MIC Input Jack
Plug the supplied EX-503L microphone into the MIC jack and tightened the
collar until it is snug (DO NOT OVERTIGHTEN). In addition to the EX-503L,
other lapel and/or headset microphones with 3.5mm plugs can also be used
with the 15BT.
(17) Audio Standby
The Audio Standby switch serves as a mute switch. In the STBY position the
audio output from the 15BT is muted. In the ON position audio is transmitted.
(18) Belt-clip
Use this to attach the 15BT to a belt on the subject.
XLR PLUG-IN TRANSMITTER (15XT)
(19) Open the battery compartment lid and insert two fresh Alkaline “AA” batteries. Make
sure the battery polarity is correct as marked inside the battery compartment.
(20) POWER
Switches the transmitter “ON” or “OFF”
(21) AUDIO
Prior to rst turning the 15XT “ON” it is best to set the AUDIO switch to “OFF”.
When you are ready to begin transmitting, switch to “ON”. The “OFF” position
acts as a “mute” that maintains the RF signal but turns off the audio.
(22) MIC Connector/Locking Ring
This 3-pin XLR connector is the microphone input. Any metal body low
impedance microphone with a corresponding connector can be attached here.
Once the microphone is plugged into the 15XT the locking ring
should be rotated clockwise until snug. To remove the microphone, rst rotate
the locking ring counterclockwise and then, while pressing the XLR
release, pull the microphone away from the 15XT.
(23) MIC LEVEL Control
The MIC LEVEL control enables you to adjust the audio level of the micro-
phone. Using the supplied tool, turn the dial clockwise to increase, or
counterclockwise to decrease the microphone’s audio output level.
(24) Frequency Selection
Frequency adjustment is accomplished by setting the two controls inside
the battery compartment. With the frequency GROUP dial on the left (col-
umn A on the included chart) you can select any of the 10 frequency groups
(numbered 0-9). With the frequency CHANNEL dial on the right (column B on
the included chart) you can select any of 10 frequency channels (numbered
0-9). There are actually 92 possible selections.